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I - III - IV - II - V.
It won't let me get away.
I / I / I / I /
IV / IV / I / I /
V7 / IV / I / I /
That would be a "classical blues" chord progression. I abuse the crap out of that one when I write midi music. I usually put it in EMajor or c#minor....for no real reason at all.
The one in Hotel California. Too bad the words are so satanic.
Oh, wait, I'd say that's tied with the one from Nintendo's old Legend of Zelda intro.
Deceptive. >.<
G-Em-C-D7-G OR, C-D-G-C (sometimes reversed, sometimes shuffled)
With those, or a transposed version of them, you can play 80-90% of all songs out there. THEN you learn to add the diminished, and other chords.
i - II - III - iv
Great progression used in loads of songs from
N*E*R*D "She wants to move" to Stardust "Music sounds better with you"....check it!
I- IV-I-V7-vi.
Common, I know, but it is beautiful.
D-A-C or Em-G-C-Am, SIMPLE YET cool.
I like the one from "I'm Yours" by Jason Mraz. C-G-Am-F
probably the twelve bar blues. Probably because alone, i think it sounds fine. But it's always fun to add passing chords like diminished or suspended. And it's the one chord progression I know the best since I learnt it first.
Ascending...makes a great bridge into solo or final chorus.
It goes to Twelfth Street Rag, and I dont have my guitar here so I am thinking it is: D,G, D,G,E,A,E,A,G,G7,C,Cm,D,E,A,D,G,,,,, but I could be wrong.
E-D-C-E....Sounds really cool
D-G-Bb-C (lowest chord to highest:G-Bb-C-D)gives a pleasant build-up with a wonderful resolve when returning to D.
The Ramones-esque C#-E-A-B (lowest to highest: A-B-C#-E) is similar. Dee-lish.
My favorite has to be F#m - Bm - A - E - F#m - A - Bm - E
or i guess it might be (i don't know the names they're weird) D#G#B - D#F#A# - D#G#C# - D#G#A#D# - G#C#E - G#B D# - G#C#F# - G#C#D#G#
I don't know the notation for it but it's the riff from Wish You Were Here by Pink Floyd. Gorgeous, elegiac, elegant.
I vii iii vi ii v i.......flat 1 repeat in new key until all keys covered.....it's an exercise in hearing all chords and reaching them.....having a favorite chord progression is like having a favorite key.....it's stiflying.....it puts you in a rut, like starting a solo in a scale....you end up playing scaler.....listen to al dimeolas first recordings....strong technique......all scallar and boring
Either something in the key of C or Eminor.
I like playing blues, and soloing through the minor scales. Sounds real nice...
i - v- II -III can be repeated over and over without sounding boring.
I-VI-II-V-VII-I-II.
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Comments
very nice in A min
by gnargnar on November 5th, 2006
Aren't those Capital Roman numerals indicating major notes?
by Aristocles on November 25th, 2006
nope. for instance in c this would be
cmaj emin fmaj dmin gmaj
but i was playing it in amin which is
amin cmaj dmin bdim emin
i could be wrong but that's what they taught me at community college
by gnargnar on November 30th, 2006
I was referring to major mode, yes.
by Stableboy on November 30th, 2006
they are 2 different progressions....?? They start with min or maj alternatively...?
I think caps does denote major, so to me the C one should be:
I - iii - IV - ii - V
by bingobongo - is really losing interes... on May 19th, 2008